Übersetzung für 'nono' im kostenlosen Italienisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Lernen Sie die Übersetzung für 'nono' in LEOs Italienisch ⇔ Deutsch Wörterbuch. Mit Flexionstabellen der verschiedenen Fälle und Zeiten ✓ Aussprache und. II. nono (nona) [ˈnɔːno] SUBST m.
Luigi NonoÜbersetzung für 'nono' im kostenlosen Italienisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Malipiero regte Maderna und Nono auch an, im Sommer einen Dirigierkurs bei Hermann Scherchen zu besuchen, eine Begegnung, die für Nono. Übersetzung im Kontext von „nono“ in Französisch-Deutsch von Reverso Context: Mon Nono, tu m'as fait peur.
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Verified Buyer. Remove unwanted hair safely and effectively Perfect For:. Nono returned to the piano with tape for his next piece, With this work began a radically new, intimate phase of the composer's development—by way of Con Luigi Dallapiccola for percussion and electronics to Fragmente-Stille, an Diotima for string quartet One of Nono's most demanding works both for performers and listeners , Fragmente-Stille is music on the threshold of silence.
The score is interspersed with 53 quotations from the poetry of Hölderlin addressed to his "lover" Diotima, which are to be "sung" silently by the players during performance, striving for that "delicate harmony of inner life" Hölderlin.
A sparse, highly concentrated work commissioned by the Beethovenfest in Bonn, Fragmente-Stille reawakened great interest in Nono's music throughout Germany Loescher Nono had been introduced to the Venice-based philosopher, Massimo Cacciari Mayor of Venice from — , who began to have an increasing influence on the composer's thought during the s Carvalho The world premiere of the opera was staged in the Church of San Lorenzo , in Venice, on 25 September , conducted by Claudio Abbado , with texts by Massimo Cacciari , lighting by Emilio Vedova , and wooden structures by Renzo Piano.
There, he devised a new approach to composition and technique, frequently involving the contributions of specialist musicians and technicians to realise his aims Fabbriciani The first fruits of these collaborations were Das atmende Klarsein —82 , Diario polacco II —an indictment against Soviet Cold War tyranny—and Guai ai gelidi mostri The new technologies allowed the sound to circulate in space, giving this dimension a role no less important than its emission.
Such innovations became central to a new conception of time and space Pestalozza These highly impressive masterworks were partly preparation for what many regard as his greatest achievement.
Prometeo has been described as "one of the best works of the 20th century" Beyst After the theatrical excesses of Al gran sole , which Nono later remarked were a "monster of resources" Stenzl , the composer began to think along the lines of an opera or rather a musica per dramma without any visual, stage dimension.
In short, a drama in music—"the tragedy of listening"—the subtitle a comment on consumerism today. Hence, in the vocal parts the most simple intervalic procedures mainly fourths and fifths resonate amidst a tapestry of harsh, dissonant, microtonal writing for the ensembles.
Prometeo is perhaps the ultimate realisation of Nono's "theatre of consciousness"—here, an invisible theatre in which the production of sound and its projection in space become fundamental to the overall dramaturgy.
The libretto incorporates disparate texts by Hesiod , Hölderlin , and Benjamin mostly logistically inaudible during performance due to Nono's characteristic deconstruction , which explore the origin and evolution of humanity, as compiled and expanded by Cacciari.
In Nono's timeless and visionary context, music and sound predominate over the image and the written word to form new dimensions of meaning and "new possibilities" for listening.
In , Nono came across this aphorism "Travellers, there are no trails — all there is, is travelling" on a wall of the Franciscan monastery near Toledo , Spain, and it played an important role in the rest of his compositions Clements ; McHard , ; Griffiths , As Andrew Clements writes about this aphorism in The Guardian , "It seemed to the composer the perfect expression of his own creative development, and in the last three years of his life he composed a trilogy of works whose titles all derive from that inscription.
Nono's last pieces, such as Caminantes Nono died in Venice in After his funeral, the German composer Dieter Schnebel remarked that he "was a very great man" Loescher —a sentiment widely shared by those who knew him, and those who have come to admire his music Davismoon a , 17— Perhaps the three most important collections of Nono's writings on music, art, and politics Texte: Studien zu seiner Musik , Ecrits , and Scritti e colloqui , as well as the texts collected in Restagno , have yet to be translated into English.